RRW's Top 10 Books

Recently I was tagged on Facebook to list my top 10 books that have influenced my life in some way.

Considering I was spending more personal time offline than than on Facebook, I didn't get the chance to tack away. But now I'm able, and since then have decided that the list was important enough to me to put on my blog, with a few additional details that weren't on my original post.

That said, here they are!

1. Slaughterhouse Five by Kurt Vonnegut

There's something about Vonnegut's style that just jives with me. I also have very fond memories of this book from my days in high school, more specifically my classes with my English teacher. In fact, I still have that gut reaction to think or blurt "So it goes" when something/someone dies.

In which case, so it goes.

2. Flowers for Algernon by Daniel Keyes

This book made me cry. It made me cry a lot.

I didn't care that much for "journal-styled" novels even back then, but Flowers for Algernon struck a cord in me that I can't ever quite describe. So much so that I wound up naming a character after the titular lab rat, Algernon.

3. Fahrenheit 451 by Ray Bradbury

I know I'm naming a lot of old books that many of us were assigned to read in high school English, and there's a good reason for that: They're just downright damned good books. And I think a lot of kids can benefit reading them and, better yet, learn to enjoy them.

Fahrenheit 451 was different, though - I didn't read it because of a class assignment. I actually read it out of spite over not getting into the advanced English class in my freshman year, though I believed I deserved to. After all, I liked the required reading for the advanced classes better than the standard class that I was assigned to.

I read Fahrenheit 451 not out of necessity because my teacher told me to, but because I wanted to. And it inspired me to seek out more books - by Ray Bradbury included - outside of the classroom. Since then he's become one of my favorite writers.

Rest in peace, Ray.

SERAPHIM ASCENT is Now Available!

SERAPHIM ASCENT: Book One of a new
post-apocalyptic sci-fi/horror series
by R. R. Washburn

→ Paperback ↔ Amazon ↔ Smashwords ↔ Barnes & Noble ↔ Kobo ↔ Apple ←

 

---

Well, it’s finally here. It’s been several years in the making, has gone through various drafts, edits, and rewrites. But now I’m slapping it up and marching onwards to the completion of Book Two.

Seraphim Ascent has gone through a variety of transformations over the years. It once started off as a very video game-inspired novel back when I first wrote it in high school. In college it shifted from an action/shooter-esque style to a tale of what has become to be about conspiracies, mind control, mutations, plagues, war, and ultimately about identity. Not just for Rey, but for a bunch of characters trying to find their place.

Originally this series was intended to be a standalone novel, with the first two drafts capped at about 360,000 words. I like big books so at the time I didn’t see anything amiss until people pointed out to me just how insane that would be to print for a first novel. By the second and third drafts I’d planned to write a duology, but by the time I was writing what has now become Seraphim Storm, I felt like I was cheating a lot of the characters’ out of their full potential. Storylines I wanted to explore were constrained by the idea that I probably shouldn’t write about 360,000 word novel, which risked a lot of character arcs I wanted to explore.

But I’m the boss. It’s my story, and I can make it go however the hell I want.

So it became a trilogy, and then a series when I started planning out plotlines for a fourth novel.

At this point, I make no such commitments to numbers to say how long this crazy story will go on. It’s a start, and that’s all I care about.

As Rey would put it, “The only certainty is going forward.”

SERAPHIM ASCENT Book Teaser

With the release day of SERAPHIM ASCENT drawing even nearer and nearer and the cover being officially complete, I decided to throw together a little teaser trailer for the upcoming event. It's short and sweet and I wanted to keep it a little vague... But I'm pretty happy with it!

Also, my official website is LIVE, where you can find more updates in regards to releases and upcoming projects and all that other fun writer stuff.

http://rrwashburn.com/

• Facebook Launch
• Google+ Launch

PROJECT SERAPHIM: RELEASE DATE

The Beginning is the End is the Beginning

Everyone has their writing weaknesses.  Mine has always been the beginning.

I can’t even begin to tell you how many times SERAPHIM ASCENT in particular has been written, rewritten, and ultimately gutted. Needless to say it’s gone through quite a monstrous transformation over the years, with a rather challenging opening to boot.

Fortunately, I am feeling confident enough to share my prologue over in my author blog in celebration of having the necessary to publish this damn book.

Yaaay!

P.S. No you are not going insane. I have, in fact, changed the URL for my blog today, for professional reasons and not just to mess with you and/or ruin all of my links now. Oops!

The Good, the Bad, and Their Life Expectancy

Over the years, I’ve come to notice certain character traits that are prevalent in many of our modern stories, be they books, TV shows, movies, or video games. More often than not, they take place in nitty gritty worlds with dystopian elements, be it zombies or war or pandemics. Upon noticing these traits, it’s also come to my attention the flaws and contradictions that tend to accompany them.

Does this mean they’re bad stories? Not at all! In fact, I love things like The Walking Dead, The Last of Us, and A Song of Ice and Fire. But each of these manner of stories share a very common theme that’s been preached throughout, and that’s that the good guys die, and the bad guys survive.

Except that bad guys tend to die, too, and that seems to be something that a lot of stories these days neglect to really explore — or even acknowledge. Unfortunately, we’ve become so obsessed with antiheroes that we fail to really appreciate the goodness in individuals as well. That we’ll all destined to turn on each other if we are to last in a harsh world. Which is ironic because, in a lot of the stories that seem to advocate becoming a bad person, it also shows that being a bad person will just as likely get you killed. Yet they continue to insist that you can’t be a decent person, even though they’ve proven themselves that their own philosophy is wrong.

At this point it’s not even just me complaining about the good guys not always winning, it’s about the message that modern stories seem to be trying to tell us. And that’s not a kind of story that I want to tell, or even relish in.

One for the LGBTeam

Let me tell you something.

I think the whole “scoring points for LGBT” thing I see people say so often these days is stupid. Yes, this is a thing that exists. I’ve seen people use this term quite often, in fact.

By LGBT points I mean: When characters in media are portrayed as gay, lesbian, bi, or trans, it’s obviously just a half-assed attempt of the creator(s) to garner an audience or ratings - or all of the above. That it’s often seen as “unnecessary” for a character to be gay and there’s no way that they’re doing it for any reason than to get attention because that’s totally how the creative process works.

And I hate it when people act like a scorecard is necessary for any of these less-than-often portrayed characters in media, because all the same it discourages creators from portraying these types of characters. Writers shouldn’t feel remiss about including a gay or lesbian character in their story because they’re worried people might accuse them of trying to connect with the LGBT crowd.

All I have to say is: Why does this have to be seen as such a negative thing? When straight characters are portrayed in media, no one accuses the writers of trying to score any points with the “heterosexual crowd”, so why should it be any different for gays, lesbians, bisexuals, and transgender? Or any of the minority for that matter. No one should feel pressured to avoid risks or following their creative path simply because people will judge them for “not understanding” what it feels to be that minority, or whatever.

Here’s a secret, and it might come off as a total shock to people, but hear me out.